By P.Muraleedharan
It has been a pretty long journey for me, a very delightful one, as I followed Kamal Haasan and his films over the years. From the time I, a high school student then, saw him mouthing those sorrowful mushy lyrics of “Neela vana chholayil…” in an effort to woo Sridevi in ‘Vaazhve Mayam’, I was hooked. And, as I grew up, I thought the inordinate admiration I felt for the veteran would wear off as smoothly as a snake sheds its skin. But, that was not to be!
As years went by, he shed his regular ‘skins’ for more innovative and intriguing ‘roles’, in tune with the rapidly changing times and the new technologies that came in its wake. By the time I reached college, he was there at the theatres to astound my impressionable mind with a superlative performance in ‘Sadma’. The empathy he evoked in our minds was so great that when a tearful Kamal at the railway station was frantically trying all kinds of things to make an amnesiac Sridevi remember her past, the whole theatre was sobbing; I too.
I still remember the night when ‘Nayagan’, directed by Mani Ratnam, was shown on Doordarshan. (That was one of the very few Kamal films which I did not watch at a theatre as an adult.) So as not to attract the attention of my mother, who was sure to scold me for keeping late nights, I had put out the light. The only light in the room was the glare from the TV, tilted suitably to deceive an unsuspecting mom. As the ‘Godfather’ clone went on in the dark, just as in a country theatre, I was held captive by the high-intensity narration by Mani Ratnam and breathtaking performance by Kamal. And towards the end, when Velu Naicker (Kamal), seemingly quiet and calm, walked up to see the dead body of his son, suddenly lost control and cried out in pain, as though a sharp instrument has pierced his heart, I too felt shattered. And before I knew it, some kind of horrible sound, signifying insufferable pain escaped my lips! Soon, it was all over; my mom was there covering the TV screen! I still cannot recollect what lies I trotted out to pacify my enraged mom then.
The love for him deepened with passing years, which made me go back to see all his films which were released before ‘my time’, like ’16 Vayathinile’, ‘Raaja Paarvai’ and ‘Sigappu Rojackal’. The handsomest man with the most macho mustache we knew then had male folks also swooning at his irrepressible charms! One of our teachers at the college was such a fan of Kamal that he started learning Bharatanatyam at 30, and had his ‘arangetram’ at our arts festival next year!
Even though it may seem far fetched now, nothing seemed out of place then. The ultimate lover boy and sex-symbol of the times, he was so cute, charming and lovable in addition to being so talented that the lines “Naan thaan Sakalakala Vallabhan…” seemed perfectly natural then. Nobody could dance as well as him, be it classical or Western. Nobody could fight as well as him, Karate or ‘local’. And nobody could love as well as Kamal, nor could anybody kiss as well as him! Even now, seeing much younger heroines like Simran, Jyothika and Sneha giving their best romantic performances on screen under the expert guidance of Kamal ( No sarcasm intended!), we can just gauge the impact he has had in the ‘80s and ‘90s! To outdo films like ‘Punnagai Mannan’ and ‘Ek Duje Ke Liye’ would not be an easy task even now.
The kind of fan-following he enjoyed then had to be seen to be believed. But, he didn’t rest on his laurels. He has been experimenting with various genres, themes, characters and, as the critics would pithily comment, prosthetics. In an attempt to be different, he did away with one of his better physical attributes, his killer mustache, on the way. He played a buck-toothed simpleton in ‘Japanil Kalyana Raman’, a goon with a tonsured head in ‘Sathya’, a pot-bellied, gap-toothed old man in ‘Indran Chandran’, a mentally retarded man in ‘Swathy Muthyam’, another mentally unstable man in ‘Guna’, an old woman in ‘Chachi 420’, a dwarf in ‘Apoorva Sahodarargal’…The list goes on. Kamal tries hard to make sure that each of his films has something special in it and, he succeeds most of the time! Truly amazing, isn’t it? In between, he acted in a silent movie too (Pushpaka Vimanam’).
As a director too, he chose to surprise us. Sir Richard might have had to research many years for his take on ‘Gandhi’. But, without any hair-splitting research, Kamal made ‘Hey Ram’, one of the best celluloid commentaries on the freedom struggle to come out till date. But unlike Attenborough’s ‘Gandhi’, it’s no documentary! His next directorial venture ‘Virumandi’ was also noted for its cinematic sweep and social commitment.
Though his detractors may say that Kamal has been dishing out the same thing year after year, the only changes being in the make up, he has been entertaining us all this while. The efforts he made to make his characters more life-like were outstanding, no doubt. Spanning over four decades, all genres, all ages and more than 200 films, Kamal is still as young and enthusiastic as any new kid on the block. Let’s wait with bated breaths for his next magnum opus, ‘Marmayogi’!
What is his USP? I think it is the sincerity and earthiness he exudes on screen; and he has a charm that nobody among his competitors possesses: A very human vulnerability that makes the viewers identify with him! And that is his flaw too: He could never become a God to his followers like his former co-star Rajnikanth!
I am greatly indebted for the innumerable moments of happiness and enjoyment you gave me, Kamal. Thank you Sir and Happy Birthday!
N.B: The writer is an unabshed, unrepentant fan of 'Ulaga Nayagan'
http://www.filmysouth.com/tamil_movie_news/kamal_birthday/november-07-2008/Kamal.html